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salome with the head of john the baptist

Herodias, ..., was married to Herod, the son of Herod the Great, who was born of Mariamne, the daughter of Simon the high priest, who had a daughter, Salome; after whose birth Herodias took upon her to confound the laws of our country, and divorced herself from her husband while he was alive, and was married to Herod, her husband's brother by the father's side, he was tetrarch of Galilee; but her daughter Salome was married to Philip, the son of Herod, and Tetrarch of Trachonitis; and as he died childless, Aristobulus, the son of Herod, the brother of Agrippa, married her; they had three sons, Herod, Agrippa, and Aristobulus.

"[3], Ernst Krause argues that Strauss's version of the dance "established the modern musical formula for the portrayal of ecstatic sensual desire and brought it to perfection. That’s second only to Pope when it comes to Christian clout. ~ Template:Salome with the head of St. John the Baptist; Media in category "Salome with the head of John the Baptist" The following 95 files are in this category, out of 95 total. Pages in category "Salome with the head of John the Baptist" This category contains only the following page.

1648 Schweigger Salome with Head of St. John the Baptist anagoria.JPG 3,168 × 4,752; 10.43 MB. Shot through by topaz suns and amethysts. Salome with the Head of John the Baptist, Jacob Cornelisz van Oostsanen, 1524 oil on panel, h 71.8cm × w 53.6cm Catalogue entry. In this large canvas, Guido Reni, a leading seventeenth-century Bolognese painter, depicted one of the New Testament’s more macabre stories. Is she ashamed, or willful, or simply irresponsible? The dancer Loïe Fuller was especially associated with such dances. Toni Bentley writes "Wilde's bracketed brevity allowed for a world of interpretation.

Credit Line: The Friedsam Collection, Bequest of Michael Friedsam, 1931. Salome is baffling; she turns away from the head as if to avoid seeing what has been done, her expression blank. After all, he’s a Saint. Wilde was especially influenced by Gustave Flaubert's story "Herodias" in which Salome dances on her hands to please Antipas. According to the Bible – where this story originates – that’s worse.

"[3] Nevertheless, many productions made the dance explicitly erotic. Etching by Forster a Wellcome V0032494.jpg, Decapitation of Saint John the Baptist. [6], Wilde transforms the dance from a public performance for his guests, as in the Bible, to a personal dance for the king himself.

The dance remains unnamed except in the acting notes, but Salome's sexual fascination with John seems to motivate the request—though Herod is portrayed as pleased. It seems likely that this is the work, according to Caravaggio scholar John Gash. The idea that Salome's dance involves "seven veils" originates with Wilde's 1891 play Salomé.

The figure of Salome stands out on a grey and indistinct background, holding the head of John the Baptist on a plate, that must be delivered to her mother Herodias. Based loosely on Wilde's play, her version of the Dance of the Seven Veils became famous (and to some notorious) and she was billed as "The Salomé Dancer". Huysmans' hero Des Esseintes characterizes her as a "weird and superhuman figure he had dreamed of. … [I]n her quivering breasts, … heaving belly, … tossing thighs … she was now revealed as the symbol incarnate of old world vice."[5]. Malik, Shireen, "She Freed and Floated on the Air": Salome and her Dance of the Seven Veils", in Jennifer Heath, Rhonda Garelick, "Electric Salome: Loie Fuller at the Exposition Universelle of 1900" in J. Ellen Gainor (ed). [5] In 1906 Maude Allan's production "Vision of Salomé" opened in Vienna. He gives no description of the dance beyond the name, but the idea of a series of veils has been connected to a process of unveiling. Engraving by N. Le M Wellcome V0032488.jpg, Decapitation of Saint John the Baptist. [6] The dance first appeared in film in 1908 in a Vitagraph production entitled Salome, or the Dance of the Seven Veils.[6]. "[11], The Wilde play and the Strauss opera led to the phenomenon of "Salomania", in which various performers put on acts inspired by Salome's erotic dance. The Dance of the Seven Veils is Salome's dance performed before Herod II. But she’s corrupted to the core and beyond redemption. "[3], Wilde's concept of "seven veils" is believed to be derived from the popularity of what were known as veil dances at the time.

Inanna had to "relinquish her jewels and robes at each of the seven gates to the underworld until she stands naked in the 'land of no return.' Her version was praised for the "eastern spirit" of her dancing without the "vulgarities familiar to the tourists in Cairo or Tangier". [2] It is an elaboration on the biblical story of the execution of John the Baptist, which refers to Salome dancing before the king, but does not give the dance a name. Salome is showing us her prize, the saint’s head …

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