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the raft of the medusa

His most docile pupil, Girodet, a refined and cultivated classicist, was producing pictures of astonishing frigidity. The painting's influence can be seen in the works of Eugène Delacroix, J. M. W. Turner, Gustave Courbet, and Édouard Manet. Brandt, Anthony. Two of the raft's survivors are seen in shadow at the foot of the mast;[36] three of the figures were painted from life—Corréard, Savigny and Lavillette. The pictorial composition of the painting is constructed upon two pyramidal structures. Géricault's compositional structure and depiction of the figures are classical, but the contrasting turbulence of the subject represents a significant change in artistic direction and creates an important bridge between Neoclassical and Romantic styles. In early 1818, he met with two survivors: Henri Savigny, a surgeon, and Alexandre Corréard, an engineer from the École nationale supérieure d'arts et métiers. By 1815, Jacques-Louis David, then in exile in Brussels, was both the leading proponent of the popular history painting genre, which he had perfected, and a master of the Neoclassical style. [33], He worked with Corréard, Savigny and another of the survivors, the carpenter Lavillette, to construct an accurately detailed scale model of the raft, which was reproduced on the finished canvas, even showing the gaps between some of the planks. Instead, Géricault was awarded a commission on the subject of the Sacred Heart of Jesus, which he clandestinely offered to Delacroix, whose finished painting he then signed as his own.

[36] The painting's conception proved slow and difficult for Géricault, and he struggled to select a single pictorially effective moment to best capture the inherent drama of the event. The Raft of the Medusa by Théodore Géricault The Raft of the Medusa by Théodore Géricault depicts the aftermath of the wreck of the French naval frigate Méduse, which ran aground off the coast of Mauritania in 1816. The painting's influence can be seen in the works of Eugène Delacroix, J. M. W. Turner, Gustave Courbet, and Édouard Manet. With Gabriel Constantin, Catherine Cusack, Amaka Okafor.

What mood or emotion does the artist communicate in the artwork? The event became an international scandal, in part because its cause was widely attributed to the incompetence of the French captain.

Géricault drew an outline sketch of the composition onto the canvas. Only a handful remained when they were rescued at sea. The event became an international scandal, in part because its cause was widely attributed to the incompetence of the French captain. Critics responded to his aggressive approach in kind, and their reactions were either ones of revulsion or praise, depending on whether the writer's sympathies favoured the Bourbon or Liberal viewpoint. According to Wellington, "The curious blend of classic with realistic outlook which had been imposed by the discipline of David was now losing both animation and interest. "Theodore Géricault's 'The Raft of the Méduse' Part II". [78], The influence of The Raft of the Medusa was felt by artists beyond France. The large painting (13.75 × 23.5 feet [4.91 × 7.16 metres]) depicts the aftermath of the 1816 wreck of the French Royal Navy frigate the Medusa, which ran aground off the coast of Senegal. Géricault spent a long time preparing the composition of this painting, which he intended to exhibit at the Salon of 1819. Théodore Géricault created one of the most iconic masterpieces of French Romanticism, the Raft of the Medusa (1818-19). "[42] The painting's influence is seen in Delacroix's The Barque of Dante (1822) and reappears as inspiration in Delacroix's later works, such as The Shipwreck of Don Juan (1840). Completed when the artist was 27, the work has become an icon of French Romanticism.

At 491 by 716 cm (16 ft 1 in by 23 ft 6 in),[2] it is an over-life-size painting that depicts a moment from the aftermath of the wreck of the French naval frigate Méduse, which ran aground off the coast of today's Mauritania on 2 July 1816. The Raft of the Medusa (French: Le Radeau de la Méduse [lə ʁado d(ə) la medyz]) – originally titled Scène de Naufrage (Shipwreck Scene) – is an oil painting of 1818–19 by the French Romantic painter and lithographer Théodore Géricault (1791–1824). "The Fatal Raft: Christine Riding Looks at British Reaction to the French Tragedy at Sea Immortalised in Gericault's Masterpiece 'The Raft of the Medusa'.

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